A reflection of the customs, ideas, and aspirations of the time via still lifes. The still life, the most primordial of painting subjects, had its peak between the late Middle Ages and the 17th century. In this book, Norbert Schneider explores the still life's insights into changes of mentality and philosophy as well as its role in the history of scientific discoveries and the gradual replacement of the medieval concept of the world. About the author: Norbert Schneider (b. 1945) is Professor of Art History at the University of Karlsruhe. His research focuses on art history of the Middle Ages and early modern times (and the history of genres of painting) the methodology of art studies, and the history of philosophy. His numerous books include TASCHEN's The Art of the Portrait: Masterpieces of European Portrait Painting, 1420-1670 and Jan Vermeer: The Complete Paintings.